Meeting Matthew Scott at the Community Sector Coalition
On Monday afternoon I met Matthew Scott, Director of the Community Sector Coalition to discuss a number of policy themes that might form part of the Coalition’s new strategic plan. We talked about the likely impact of a Conservative Government on the community sector: Shadow Third Sector Minister, Nick Hurd, is to address the next meeting of the Community Sector Coalition in December. We agreed on the importance of small grant schemes as seed-bed development for community groups. Matthew described the community sector as an ‘iceberg’: only a fraction of the sector is clearly visible – there are massive numbers of informal, un-constituted community groups which it is nearly impossible to map. We also discussed the Voluntary Sector Compact and its relevance to small community groups. Finally, we looked at the issues of climate change and sustainability and the extent to which the arts might be used to explore the climate change message.
Robin Simpson.
Arts Council England Amateur Arts Partnership Development Programme steering group
On Tuesday afternoon I took part in a meeting of the Arts Council England Amateur Arts Partnership Development Programme steering group. With new representatives from the Department for Culture, Media and Sport and the Local Government Association attending for the first time this felt like a fresh start for the steering group. We took the opportunity to look at each of the actions that emerged from the ‘Our Creative Talent’ research in detail and to clarify and confirm in each case exactly what we are trying to achieve, what has been done so far and what the next steps should be. This was an extremely helpful process and reinvigorated the programme.
Robin Simpson.
Catching up with the National Campaign for the Arts
On Tuesday I was in London for my regular meeting with Louise de Winter at the National Campaign for the Arts. I reported back to Louise about the launch of the Participation Manifesto at last week’s NALGAO conference in Swindon and Louise formally pledged NCA’s support for the manifesto on the Participation in the Arts website. (If you haven’t already done so, please do register and pledge your support for the Participation Manifesto at http://www.participationinthearts.net ) We also discussed the NCA’s forthcoming workforce survey and agreed the inclusion of a question about volunteers. Finally, Louise gave me advance notice of an NCA debate at Kings Place in London (as part of the ‘Words on Monday’ series) on 1 March 2010 which will address the motion “this country can no longer afford to subsidise the arts”.
Robin Simpson.
DCMS Opportunity & Excellence Programme Board
October 8, 2009, 2:24 pm
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On Monday I was in London to attend a meeting of the Department for Culture, Media and Sport Opportunity & Excellence Programme Board. This Board brings together Arts Council England, Sport England, English Heritage, the Museums, Libraries and Archives Council, the National Museum Directors’ Council, the Voluntary Arts Network and the Local Government Association with DCMS Directors to oversee progress against two of the Department’s four Departmental Strategic Objectives (DSOs). DSO1 relates to the levels of public engagement in the DCMS sectors – including arts attendance, arts participation, sports participation, visitors to museums etc. We had an interesting discussion on Monday about the effects of the recession on engagement. The DSO1 target focuses on raising the proportion of the population that engages with the various sectors rather than the total number of people participating (which would include foreign tourists and repeat visitors). We also did some further work on an initial basket of indicators to track progress against DSO2 which seeks to increase ‘excellence’ across the DCMS sectors.
Robin Simpson.
World Culture Clubs Forum, Seongnam, South Korea
Last week I was in South Korea to speak at the World Culture Clubs Forum conference. Seongnam City is a new city with a population of 1 million people on the outskirts of Seoul. The Seongnam Cultural Foundation has been working to make Seongnam a ‘cultural city’ by developing a voluntary arts network organised by amateur or citizen-led art groups (culture clubs). These groups are involved in both making policy and delivering policy, and are helping to establish the new identity of the city. The Department of Arts & Cultural Management at Kyunghee Cyber University in Seoul has been studying the development of this voluntary arts network and the World Culture Clubs Forum conference was a platform to discuss the results of their research and to compare this with other models of amateur arts practice from around the world. I was one of five guest speakers, along with representatives of the European Network of Cultural Centres, the International Council for Cultural Centres, the National Cultural Festival in Shizuoka, Japan, and the Mid-America Arts Alliance. The conference delegates came from across South Korea and included politicians, local government officers and civil servants from the Ministry of Culture. I was amazed and delighted to discover that almost everyone at the conference was familiar with ‘Our Creative Talent’ – the study of the voluntary and amateur arts in England commissioned by DCMS and Arts Council England in 2008. I was even more surprised when someone approached me after my presentation to say he had recognised my voice from the podcast of a speech I had given to a NALGAO seminar in Bristol in 2007!

World Culture Clubs Forum conference
It was a fascinating conference and we identified lots of ways in which our organisations might be able to work together. There was some discussion about the idea of developing a Global Network for the Voluntary Arts, though we agreed not to rush into anything.

World Culture Clubs Forum speakers
Korea is a fascinating place: everything seems very modern – on our way to the conference we drove through the ‘old town’ which dates from 1990! But there is more greenery than I expected – lots of trees and lush green grass. The Han river which runs through Seoul is huge – much wider than the Thames. But in terms of buildings it’s just masses of skyscrapers and neon signs. Everyone is exceptionally polite and helpful: I’m very glad I read the bit in my guide book about the reverence which is attached to the exchanging of business cards and brought a big supply with me. Everyone you meet in any vaguely business-related context hands you a business card and expects you to hold it in both hands and study it carefully for at least a minute before carefully filing it away. And still, a week later, I am finding myself naturally bowing to everyone!

Korean meal
We had several enormous meals in traditional Korean restaurants – very hot and spicy food, sitting cross-legged on cushions at low tables. We attended the opening of an exhibition of amateur art works – including a performance by a local amateur guitar group – and an opera gala concert featuring two Korean singers who are now regular performers at La Scala, Milan.
It was wonderful to have the chance to meet up with Debbie Brooks who left VAN at the beginning of this year to take up a job in Seoul teaching English as a foreign language. She is really enjoying teaching and is considering whether to sign up for another year in South Korea.
Robin Simpson.
Tri-partite meeting with the Scottish Government, Scottish Arts Council and Voluntary Arts Scotland
On Thursday Fiona, David and I were at the Scottish Government offices at Victoria Quay in Edinburgh for our six-monthly tri-partite meeting which brings together officers from the Culture Division of the Scottish Government, the Scottish Arts Council and Voluntary Arts Scotland. It was great to hear in detail about progress towards the establishment of Creative Scotland directly from the civil servant charged with steering the relevant legislation through the Scottish Parliament. Scottish Arts Council is looking at a range of policy issues for Creative Scotland and will launch a major online consultation during October which will be a key opportunity for the voluntary arts sector to try to influence the policy of the new agency. We looked at some initial statistics from the ‘Taking Part’ questions in the Scottish Household Survey which provide information about levels and patterns of arts participation in Scotland. A detailed analysis of this research should be available within the next month. We also met the civil servants responsible for developing the cultural programmes in Scotland relating to both the 2012 Olympic and Paralympic Games and the 2014 Commonwealth Games. And we updated the Scottish Government and the Scottish Arts Council on our two new major projects: ‘Crafting the Arts’ (funded by the Big Lottery Fund) and ‘Make a Splash!’ (funded by the Legacy Trust).
Robin Simpson.
Meeting Steve Skelton at the Local Government Association
I was back in London on Thursday to meet Steve Skelton at the Local Government Association. Steve is going to represent the LGA on the Arts Council England Amateur Arts Partnership Development Programme steering group. I briefed Steve on the background to ‘Our Creative Talent’ and the development of the Amateur Arts Partnership Development Programme which was established to follow-up the recommendations and conclusions of the 2008 research. We talked in particular about the role the LGA might be able to play in improving support and links from local authorities to voluntary arts groups.
Robin Simpson.
Understanding ‘below the radar’ organisations and activities in the Third Sector
On Thursday morning I was in London to meet Angus McCabe from the Third Sector Research Centre. Angus is leading TSRC’s work on ‘below the radar’ community organisations and is currently interviewing a range of national networks and infrastructure bodies who support small community groups. He is particularly concerned about the lack of academic research into small cultural organisations and very keen to look at the impact of voluntary arts groups on their communities.
Robin Simpson.
The future of ‘membership’
On Wednesday I was at the National Council for Voluntary Organisations in London to take part in a focus group as part of the NCVO/RSA project on ‘the future of membership’. Representatives of a wide range of Third Sector organisations discussed what ‘membership’ means in their contexts and how ideas of ‘membership’ are changing. We heard examples of ‘member’ being used to mean subscribers, mailing list recipients, those with a governance role, volunteers, clients, supporters, ambassadors and advocates. In most cases ‘members’ seem to be expected to fulfil several of these roles. We also looked at external factors which are changing the way in which people engage with voluntary organisations, particularly the recession, technology and localism. It was a fascinating afternoon which provided much food for thought. You can follow the progress of ‘the future of membership’ on the Third Sector Foresight website at http://www.3s4.org.uk/.
Robin Simpson.
Arts Council England Amateur Arts Forum meeting
June 24, 2009, 4:11 pm
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meetings | Tags:
ace,
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DCMS,
England,
excellence,
funding,
localauthorities,
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volarts
Today I have been back in London to attend the Arts Council England Amateur Arts Forum meeting – the inaugural annual meeting chaired by the ACE Chief Executive Alan Davey. Representatives of 14 national amateur arts umbrella bodies and ACE senior staff gathered around the board table at the ACE national office to discuss a range of issues. We were delighted to be joined before the meeting by a surprise guest – new Arts Council England Chair, Dame Liz Forgan – whose presence emphasised how seriously ACE is now taking its relationship with the amateur arts. Following up our discussions at the ‘Excellence and the Voluntary Arts Seminar’ in June 2008 we identified some different ways in which the amateur sector creates ‘great art’ and discussed how ACE and the amateur arts could work better together to encourage this. The three annual Amateur Arts Forum meetings will provide a platform for ACE to involve the voluntary arts in policy development. Today we started to discuss how this might work in practice. We also discussed how the amateur sector might feed into the development of an evidence base to advocate more collaboratively for the value of the amateur arts. We know that there are many potential sources of funding for amateur arts groups (eg from the Office of the Third Sector, the Department for Communities and Local Government, the Big Lottery Fund) which are not currently providing much funding to the voluntary arts sector. We agreed that ACE might be able to help with this – both in terms of talking to these funders to ensure that they are open to applications from amateur arts groups, and in publicising the availability (and relevance) of such funds to the voluntary arts sector. Finally we discussed the effect of ACE’s new free theatre tickets scheme for young people (‘A Night Less Ordinary’) on the amateur theatre sector. It was a fascinating, productive and very positive meeting, reinforcing how much the arts landscape in England has changed as a result of ‘Our Creative Talent’. Notes from the meeting will be distributed to all national voluntary arts umbrella bodies shortly.
Robin Simpson.