Cultural Playing Field


Arts Development UK annual conference, Wales Millennium Centre, Cardiff by Robin Simpson
October 17, 2014, 10:50 am
Filed under: meetings | Tags: , , , , , , ,

Peter Stark giving the keynote speech at the Arts Development UK Conference in Cardiff

Peter Stark giving the keynote speech at the Arts Development UK Conference in Cardiff


On Thursday I was at the Wales Millennium Centre in Cardiff to attend the Arts Development UK annual conference where Voluntary Arts Chair, Peter Stark, gave the opening keynote speech. Peter spoke about his formative cultural experiences with the People’s Theatre youth theatre in Newcastle, saying that the work of Arts Development UK and Voluntary Arts is in his ‘structural DNA’. The fact that other people did not have the advantages he had has been his driving force. He described his career in the UK and his work in South Africa. On returning to England in 2012, he felt the country and the arts sector had changed in some fundamental way. Referring to the recent reports he has published with Christopher Gordon and David Powell (GPS Culture), Peter said:

“I realised that we had become, in a way that was far more true than I had ever experienced before, not one nation but two, geographically and by wealth and by class and by investment. So I had a set of numbers on the one hand, and a growing sense of disjunction with the structure that was dealing with culture and the arts on the other. That’s why we started doing our work. We started doing it out of a feeling that things were wrong.”

Peter emphasised the importance of valuing the creation of artistic value as much as we value the creation of instrumental effects. And he said that the key to wellbeing in the arts is participation.

Looking at the current challenges facing local cultural infrastructure, Peter said “I don’t see any way other than to start again from the bottom”. He quoted Jack Dixon saying “Noah was an amateur. The Titanic was built by professionals.”

He said the heart of how local government works is changing and “if ever there was a challenge to national bodies in our country, it is to ensure culture becomes a competence of combined authorities.”

Peter quoted Sue Isherwood’s first piece of research for the Our Cultural Commons initiative in which she says: “I have read the words and listened to the voices of committed, passionate and thoughtful people, none of whom are nationally known names; all of whom deserve to be heard in the courts of the cultural elite.”

Peter finished by launching Our Cultural Commons – a joint initiative of Voluntary Arts and Arts Development UK which will:
– collect evidence of existing innovative local collaborative practice to sustain and develop local cultural infrastructure and then promote best practice
– provide a space for discussion of potential solutions to the problems facing local cultural infrastructure and organisation and the debate on the nature of the cultural commons that we aspire to in the future
– empower and support the voice of those ‘local’ ambitions in debates on future national cultural policies, structures and funding.

You can read the full description of Our Cultural Commons and join the debate at: http://ourculturalcommons.org/

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