On Monday evening I was at the University of the Arts/Central St Martins in London to attend the launch of the Creative Industries Federation. The Federation was the idea of Sir John Sorrell who felt there was an urgent need for the UK’s creative community to speak with a strong, independent voice, bringing together the public arts, creative industries and cultural education. The Creative Industries Federation will be independent of government, representing all sectors, bridging public and private and spanning the whole UK.
Monday’s launch event impressively demonstrated the level of connections the Federation, and its Director John Kampfner, have achieved already. Among the 200 people at the reception I spotted Tony Hall, Sir Peter Bazalgette, Sir John Tusa. Sandy Nairne, Sir Nicholas Serota, Alan Yentob, Professor Geoffrey Crossick, Alan Davey and Will Gompertz. I understand the assembled audience also included Elisabeth Murdoch, Ray Davies, Tamara Rojo and Jane Bonham-Carter.
The initial presentation involved brief speeches from Josh Berger (UK Head of Warner Brothers), Sir Anish Kapoor, the film director Paul Greengrass, Martha Lane Fox, a young games developer from Portsmouth, Mitu Khandaker, and the head of a growing Manchester TV business, Cat Lewis.
The keynote speech was then delivered by the Chancellor of the Exchequer. George Osborne was keen to emphasise that his interest in the creative industries was not simply because of its economic impact. He said “ultimately what you do is express who we are as a society and give voice to the people of this country … it’s a human endeavour worthy of support in its own right, regardless of its contribution to GDP”. The Chancellor finished by saying “the arts and creative industries needs a single voice and now it has one”.
Deborah Bull then chaired a panel discussion with representatives of the three main political parties. For Labour, the Shadow Culture Secretary, Harriet Harman, talked about the importance of “universality”, saying “arts and culture is not just for some”. She also questioned how Ofsted can say a school is outstanding if it doesn’t have an outstanding cultural offer. For the Liberal Democrats, the Chief Secretary to the Treasury, Danny Alexander, said “we should listen to this fantastic new organisation” and felt there is a need for much more focus on skills. Finally the Conservative Culture Minister, Ed Vaizey, said the Creative Industries Federation “is a win win for everyone here”.
The Creative Industries Federation could become a significant new voice in lobbying Government. By involving the big commercial companies of the creative industries, its messages about the importance of arts and culture might gain much more prominence – Monday’s impressive event being a demonstration of this. But there must also be a danger of those powerful commercial voices drowning out smaller, less-resourced arts organisations. And while the Federation’s promise to “insist that anyone, no matter who they are or where they come from, has an equal opportunity to fulfil their creative potential” is very welcome, another of its promises “we will bring together the public and private halves of the creative sector” suggests that the third, voluntary, part of the cultural spectrum is not yet fully part of its thinking. In my initial discussions with John Kampfner in October, he was keen to include the voluntary arts in the Federation’s work but I there is clearly still some thinking to be done in this area.
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