Filed under: meetings | Tags: arts, England, funding, politics, training, UK
On Thursday I was at the offices of UK Music in London for the first meeting of the new Community Arts Qualifications Advisory Group. This group has been set up by Creative & Cultural Skills for two reasons. Firstly, the Government’s current apprenticeship reform programme requires a fresh look at all existing apprenticeship frameworks, converting them to new ‘Apprenticeship Standards’ by September 2017. CCSkills believes the current Community Arts framework is popular and important to maintain and has established the Advisory Group to shape a new apprenticeship for the future. The Advisory Group will also formally advise on the curriculum development for the new National College for the Creative and Cultural Industries. This is an initiative CCSkills is setting up to deliver high quality, industry-led intensive vocational training at Purfleet in Essex, and through partners nationwide. CCSkills plans to include a community arts strand to the curriculum (working title ‘Audiences and Participation’). The Advisory Group will shape this strand, working with the University of the Arts London Awarding Body. At our first meeting we discussed the need for more apprentices in the arts and the challenges and opportunities for larger arts organisations as a result of the Government’s new apprenticeships levy which comes into force from April 2017.
On Monday I was at Kings Place in London for a meeting of the steering group for the ‘A Choir in Every Care Home’ project. We are now in month five of this twelve month project, funded by the Baring Foundation and being led by Live Music Now and Sound Sense. Since our last steering group meeting Care England has joined the extensive list of project partners.
At Monday’s meeting we heard from Stephen Clift of the Sydney de Haan Research Centre about recent research which has been looking at the emotional, psychological and physical benefits of singing. Studies have shown that singing can be of benefit to people with lung problems and there is some interesting evidence about the impact of singing on people with Parkinsons. Oxford University research, led by Robin Dunbar, has been looking at the evolutionary purpose of singing and a study with the Workers Educational Association in Oxford has compared singing with other forms of creative activity, showing that social bonding happened much more quickly in groups doing singing than other forms of creative activity. The Sidney de Haan Research Centre has been creating a comprehensive listing for the ‘A Choir in Every Care Home’ project of all the research that has been done on singing and wellbeing.
Since our last meeting ‘A Choir in Every Care Home’ has conducted four surveys, instigated a systematic review of the evidence base and undertaken lots of field visits. Kathryn Deane from Sound Sense presented the results of the surveys which have looked at the purposes of singing in care homes, what care homes need singing to achieve and what types of singing already exist in care homes. She outlined the benefits of singing in care homes – to the residents and to the care home staff. She also discussed the barriers to introducing or increasing singing in care homes.
Evan Dawson from Live Music Now explained that the project had been keen to look at whether it could emulate in the 20,000 care homes what the Sing Up project had achieved in 20,000 primary schools. Michelle James from Sing Up described the experience of developing singing in primary schools. She emphasised the need to view the project as a campaign – and the value that had been gained by bringing in professional campaigning expertise. She also outlined some of the solutions that Sing Up had developed to overcome key barriers to singing in primary schools.
Des Kelly from the National Care Forum gave us a fascinating presentation about the context in which care homes are operating. In 1989 most care homes were in the public sector. Now, in England, around 70% of all care homes are private for-profit organisations, approximately 20% are voluntary not-for-profit organisations and only a very small proportion remain in the public sector. There are 18,000 care homes in England, three quarters of which are residential care homes: the rest are nursing homes. The Care Quality Commission has rated a third of all care homes, of which 60% were ‘good’ or ‘outstanding’. The average age of admission into care has gone up by ten years in the last ten years: the average age of admission is now 85. 80% of care home residents have dementia. The duration of stay in care is decreasing: the average stay in a nursing home is now one year. Staff turnover on average in the care sector is running at 20% and only 12% of workforce is under the age of 25. The top 6 corporate care providers account for 60% of the market.
This is clearly a challenging environment in which to try to achieve ‘A Choir in Every Care Home’ but the project is progressing carefully and sensibly and there is a growing alliance of organisations working together on the project.