Cultural Playing Field


Welsh Language Commissioner/WCVA Parliamentary Reception by Robin Simpson
January 22, 2016, 10:46 am
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WCVA reception

The Welsh Language Commissioner, Meri Huws

On Thursday afternoon Gareth and I were at the House of Lords for a reception organised by the Welsh Language Commissioner and the Wales Council for Voluntary Action (WCVA) and hosted by Baroness Tanni Grey-Thompson. This was an event for UK-wide third sector organisations operating in Wales to discuss the need to work through the medium of Welsh. Each organisation had been asked to bring two representatives – their UK Chief Executive and their Wales Director or equivalent. The Welsh Language Commissioner, Meri Huws, spoke about the implications for third sector organisations of the Welsh Language (Wales) Measure 2011, emphasising the principle that people in Wales can live their lives through the medium of Welsh if that is what they wish to do. She said the third sector needs to think in different ways to move forward with dignity for people in an increasingly bilingual nation. WCVA Chief Executive, Ruth Marks, said that Welsh language, culture and identity is fundamental across all our work. She spoke about the current legislative and policy environment (including the effects of the new Social Services and Wellbeing Act and the Wellbeing of Future Generations Act). Ruth also discussed the Welsh Language and volunteering as well as good governance and quality systems (including Investing in Volunteers and PQASSO). She explained that there is now a Memorandum of Understanding between WCVA and the Welsh Language Commissioner and a WCVA Trustee has been appointed as the organisation’s Welsh Language Champion.

Robin Simpson.

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Gulbenkian Inquiry Into the Civic Role of Arts Organisations by Robin Simpson
January 22, 2016, 10:42 am
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On Wednesday I was at the Calouste Gulbenkian Foundation in London for a meeting about the proposed Gulbenkian Inquiry Into the Civic Role of Arts Organisations. The Gulbenkian Foundation’s UK Chief Executive, Andrew Barnett, spoke about the influence of the British Council trip to Brazil in 2010 that he and I took part in. He said our experiences in Brazil had inspired him to develop the participatory arts work the Gulbenkian Foundation is now doing – of which this inquiry is an extension. The proposed inquiry (which has still to be formally approved by the Gulbenkian Trustees) will look at “the way in which arts organisations animate, enhance and enable processes by which people exercise their rights and responsibilities as members of the community”. It will be a two year programme with the intention of developing a strong and growing movement of arts organisations that embrace their civic role. Wednesday’s meeting – organised in partnership with What Next? – brought together around 40 people to discuss the premise for the inquiry. We had a fascinating afternoon of discussions about civic society, civil society, roles and responsibilities, inequality, community and cultural participation. The Gulbenkian Inquiry faces some difficult challenges to pull all this together but could be incredibly valuable.

Robin Simpson.



Community Arts Qualifications Advisory Group meeting by Robin Simpson
December 4, 2015, 3:11 pm
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On Thursday I was at the offices of UK Music in London for the first meeting of the new Community Arts Qualifications Advisory Group. This group has been set up by Creative & Cultural Skills for two reasons. Firstly, the Government’s current apprenticeship reform programme requires a fresh look at all existing apprenticeship frameworks, converting them to new ‘Apprenticeship Standards’ by September 2017. CCSkills believes the current Community Arts framework is popular and important to maintain and has established the Advisory Group to shape a new apprenticeship for the future. The Advisory Group will also formally advise on the curriculum development for the new National College for the Creative and Cultural Industries. This is an initiative CCSkills is setting up to deliver high quality, industry-led intensive vocational training at Purfleet in Essex, and through partners nationwide. CCSkills plans to include a community arts strand to the curriculum (working title ‘Audiences and Participation’). The Advisory Group will shape this strand, working with the University of the Arts London Awarding Body. At our first meeting we discussed the need for more apprentices in the arts and the challenges and opportunities for larger arts organisations as a result of the Government’s new apprenticeships levy which comes into force from April 2017.

Robin Simpson.



‘A Choir in Every Care Home’ steering group meeting by Robin Simpson
December 4, 2015, 3:05 pm
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On Monday I was at Kings Place in London for a meeting of the steering group for the ‘A Choir in Every Care Home’ project. We are now in month five of this twelve month project, funded by the Baring Foundation and being led by Live Music Now and Sound Sense. Since our last steering group meeting Care England has joined the extensive list of project partners.

At Monday’s meeting we heard from Stephen Clift of the Sydney de Haan Research Centre about recent research which has been looking at the emotional, psychological and physical benefits of singing. Studies have shown that singing can be of benefit to people with lung problems and there is some interesting evidence about the impact of singing on people with Parkinsons. Oxford University research, led by Robin Dunbar, has been looking at the evolutionary purpose of singing and a study with the Workers Educational Association in Oxford has compared singing with other forms of creative activity, showing that social bonding happened much more quickly in groups doing singing than other forms of creative activity. The Sidney de Haan Research Centre has been creating a comprehensive listing for the ‘A Choir in Every Care Home’ project of all the research that has been done on singing and wellbeing.

Since our last meeting ‘A Choir in Every Care Home’ has conducted four surveys, instigated a systematic review of the evidence base and undertaken lots of field visits. Kathryn Deane from Sound Sense presented the results of the surveys which have looked at the purposes of singing in care homes, what care homes need singing to achieve and what types of singing already exist in care homes. She outlined the benefits of singing in care homes – to the residents and to the care home staff. She also discussed the barriers to introducing or increasing singing in care homes.

Evan Dawson from Live Music Now explained that the project had been keen to look at whether it could emulate in the 20,000 care homes what the Sing Up project had achieved in 20,000 primary schools. Michelle James from Sing Up described the experience of developing singing in primary schools. She emphasised the need to view the project as a campaign – and the value that had been gained by bringing in professional campaigning expertise. She also outlined some of the solutions that Sing Up had developed to overcome key barriers to singing in primary schools.

Des Kelly from the National Care Forum gave us a fascinating presentation about the context in which care homes are operating. In 1989 most care homes were in the public sector. Now, in England, around 70% of all care homes are private for-profit organisations, approximately 20% are voluntary not-for-profit organisations and only a very small proportion remain in the public sector. There are 18,000 care homes in England, three quarters of which are residential care homes: the rest are nursing homes. The Care Quality Commission has rated a third of all care homes, of which 60% were ‘good’ or ‘outstanding’. The average age of admission into care has gone up by ten years in the last ten years: the average age of admission is now 85. 80% of care home residents have dementia. The duration of stay in care is decreasing: the average stay in a nursing home is now one year. Staff turnover on average in the care sector is running at 20% and only 12% of workforce is under the age of 25. The top 6 corporate care providers account for 60% of the market.

This is clearly a challenging environment in which to try to achieve ‘A Choir in Every Care Home’ but the project is progressing carefully and sensibly and there is a growing alliance of organisations working together on the project.

Robin Simpson.



NCVO Hinton Lecture 2015 by Robin Simpson
November 11, 2015, 12:08 pm
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Sir John Major delivering the NCVO Hinton Lecture 2015

Sir John Major delivering the NCVO Hinton Lecture 2015

On Tuesday evening I was at the Royal College of General Practitioners in London to see Sir John Major deliver the annual NCVO Hinton Lecture. The former Prime Minister’s speech, titled ‘A Nation at Ease with Itself?’, focussed on inequality, poverty, fairness and social mobility. Addressing a voluntary sector audience, John Major reminded us that, as Chancellor of the Exchequer, he introduced Gift Aid and as Prime Minister he launched the National Lottery, 21 years ago. He had observed that it had become increasingly difficult for charities to compete for Treasury funds with pensions, social security, health spending etc. He saw the National Lottery as “money from the public for the public”, “to protect the independence of charities”. To date the Lottery has distributed over £34 billion to good causes and “as intended, most of this money has gone to small local schemes”. But John Major said he worries for the future of the Lottery. It was designed as a national lottery, in effect a monopoly, to maximise returns for the designated good causes but its success has attracted rivals, such as the increasing number of ‘society lotteries’ who pay a far smaller proportion of their income back to worthy causes. John Major also spoke about the importance of small charities, at a time when there is much emphasis on charity mergers. He said small charities “offer small, anonymous acts of kindness, vital to the recipient, that may be overlooked by their larger brethren”. He thought it would be wise to expand the remit and funding of the charity commission. He talked about the poverty of loneliness, saying it is not the responsibility of government to create communities. Rather this is something that has to involve government and charities and faith groups. He said the rise in single person households is a major risk to loneliness and “the community will deal with this issue best”. You can read the full transcript of Sir John Major’s speech at: https://www.ncvo.org.uk/about-us/media-centre/press-releases/1114-a-nation-at-ease-with-itself.

Robin Simpson.



A Choir in Every Care Home steering group meeting by Robin Simpson
June 2, 2015, 4:01 pm
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On Tuesday I was in London for the first meeting of the steering group for the new project ‘A Choir in Every Care Home’. A Choir in Every Care Home is an ambitious new initiative to explore how singing can feature regularly in care homes across the country. Funded and initiated by the Baring Foundation, it is a unique collaboration between 28 leading national organisations from the worlds of adult social care, music and healthcare research. It is being led by three major organisations in the field: Live Music Now, which provides national leadership for musicians working in the care sector; Sound Sense, the UK professional association for community music; and the Sidney De Haan Research Centre, providing cutting edge research on the medical and social impacts of singing. Most of the 28 partners were represented at Tuesday’s meeting and it was fascinating to hear the range of experience and expertise in relation to singing in care homes that the project has gathered together. David Cutler from the Baring Foundation spoke about his hopes for the project and Professor Stephen Clift from the Sidney de Haan Research Centre outlined the results of his recent Randomised Control Trial which showed that regular group singing (weekly over three months) had measurable positive health and wellbeing outcomes compared to the control group. Evan Dawson from Live Music Now and Kathryn Deane from Sound Sense facilitated a series of creative discussions which began to scope and plan the project. See: https://achoirineverycarehome.wordpress.com/



What Works Centre for Wellbeing panel meeting by Robin Simpson
February 26, 2015, 9:38 pm
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On Wednesday I was in London to take part in the What Works Centre for Wellbeing panel meeting. We assessed applications made by research teams from across the country to run the four evidence programmes that will form the bulk of the work of the new What Works Centre. The What Works Centre for Wellbeing will be one of a number of What Works Centres which have been established to synthesise evidence to improve public and policy decisions. The Wellbeing Centre will build on the Office for National Statistics (ONS) national measurement programme. The Centre has initial funding of £4.3 million over three years. The Centre will comprise a central hub and four evidence synthesis programmes. The primary customers for the outputs of the Centre will be service commissioners, decision makers, practitioners and policymakers working both locally and nationally using evidence to ensure the best results for their localities. The four evidence programmes will look at wellbeing in relation to: work & learning; culture & sport; community; and cross-cutting themes. I was asked to assess applications for both the culture & sport and the community programmes. On Wednesday we agreed which applicants will now be called to interview. It was a really interesting day and it was great to have the chance to make the point that the Centre should be looking at wellbeing in relation to grassroots participation in creative, cultural activities.

Robin Simpson.