Cultural Playing Field


National Co-ordinating Centre for Public Engagement ‘Engage’ Conference 2017 by Robin Simpson
December 7, 2017, 5:15 pm
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On Thursday I was in Bristol for the National Co-ordinating Centre for Public Engagement’s ‘Engage’ Conference. The theme of the conference was ‘Exploring Collaboration’ and delegates included representatives of community organisations, universities, charities, policy makers and funders from all around the world. Professor Eleonora Belfiore from Loughborough University and I led a workshop on ‘Collaboration and policy-sensitive research’, drawing on our experience of the AHRC Understanding Everyday Participation research project. We discussed the challenges of trying to effect policy change through collaborative research. I highlighted three risks: that the community partners just want the research to justify what they already think they know; that the academic research partners end up merely presenting back to the community partners the information they provided; and that, even if the research goes well, the final glossy report and its recommendations lie forgotten in a drawer a few months later without having achieved any policy change. We had a lively and thoughtful debate with our workshop participants which surfaced many examples of both good and bad practice in relation to policy-sensitive research.

Robin Simpson.

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Greater London Volunteering Charity Leadership Conference 2017 by Robin Simpson
November 10, 2017, 4:11 pm
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On Friday I was at City Hall in London for Greater London Volunteering’s annual Charity Leadership Conference. The conference was presented in partnership with Team London and supported by Reach. The main plenary session, in the GLA Council Chamber, included presentations by Ruth Lesirge, Chair of the Association of Chairs who spoke about Board functions and the duties of Trustees, and Rosie Chapman, Chair of the Charity Governance Code Steering Group, who outlined the new version of the Charity Governance Code that was published in July 2017. I then gave a presentation about Voluntary Arts’ experience of diversifying governance, including the Voluntary Arts BAME Advisory Panel and the Open Conversations report (https://www.voluntaryarts.org/news/open-conversations) which led to us winning the Board Diversity and Inclusivity Award in the 2017 Charity Governance Awards.

Robin Simpson.



Luminate Reception 2017 by Robin Simpson
October 27, 2017, 1:28 pm
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On Wednesday evening I was at the Festival Theatre in Edinburgh for the Luminate Reception. A range of artists and organisers involved in Luminate Festival events had been invited to celebrate Luminate’s 5th birthday and to launch a new publication about creative ageing in Scotland. ‘Late Opening: Arts and Older People in Scotland’ was commissioned jointly by The Baring Foundation and Luminate, and written by Andrew Eaton-Lewis. Through 16 case studies the report explores what ‘creative ageing’ means in Scotland and makes recommendations for long term strategic thinking and investment, stronger partnerships between the arts and healthcare sectors and more support for older emerging professional artists. Speaking at the Luminate Reception, Jeane Freeman MSP, Minister for Social Security in the Scottish Government said “there isn’t an age limit on creativity” and praised Luminate for its work in encouraging older people to be creative. Graham Reid from Creative Scotland emphasised the importance of Luminate’s focus on “arts for, by, with and about older people”. Keith Robson from Age Scotland welcomed the ‘Late Opening’ report’s focus on “frequently challenged stereotypes about what kind of art older people should be into”. David Cutler, Director of the Baring Foundation, said that since Baring started to focus on arts and older people in 2010, Luminate was “one of the best ideas we had”. David hoped the ‘Late Opening’ report would be an inspiration to arts organisations across Scotland. The Luminate Reception finished with performances by The Flames – a theatre group for participants aged fifty and over established by Tricky Hat Productions, whose debut performance I saw in the 2016 Luminate Festival – and the Vintage Chorus choir which is based at the Festival Theatre.



‘Creative Health: The Arts for Health and Wellbeing’ launch at King’s College, London by Robin Simpson
October 13, 2017, 2:16 pm
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On Thursday I was at King’s College, London, for the launch of ‘Creative Health: The Arts for Health and Wellbeing’ – the All-Party Parliamentary Group on Arts, Health and Wellbeing Inquiry Report. The report was published in July but a formal launch event wasn’t possible then, so soon after the snap General Election. So on Thursday, King’s College London who worked with the APPG on its two-year Inquiry hosted this event in which Deborah Bull compèred a panel discussion on the report and its recommendations.

Lord Howarth, Co-Chair of the APPG, spoke about the potential of the arts in health and social care. He explained that the inquiry had organised 16 roundtables involving more than 300 people, importantly including service users, and had produced 10 specific recommendations.

Rebecca Gordon-Nesbitt, from King’s College, said it was clear that engagement with the arts, particularly through participation, helps people get well and stay well. She said the inquiry had extended its definition of arts to include everyday activity – the stuff that happens behind closed doors in people’s homes and in communities.

The report says:

“Millions of people in the UK engage with the arts as part of their everyday lives. As we demonstrate in this report, arts engagement has a beneficial effect upon health and wellbeing and therefore has a vital part to play in the public health arena.” …

“When we talk about the arts, we include the visual and performing arts, crafts, dance, film, literature, music and singing. To this list, we add gardening … and the equally absorbing culinary arts.” …

“In this report, then, ‘the arts’ is used as shorthand for everyday human creativity, rather than referring to a lofty activity which requires some sort of superior cultural intelligence to access.”

Lord Howarth pointed out that the report’s 10 recommendations are not all directed at government. What is actually needed is a culture change in the health establishment. Recommendation 1 calls for a new national strategic centre to be established “to support the advance of good practice, promote collaboration, coordinate and disseminate research and inform policy and delivery” – but this should not be created by government.

Former Culture Minister, Ed Vaizey MP, Co-Chair of the APPG, said he had wanted to use the Government’s 2016 Culture White Paper to show the wide range of impacts the arts have but had faced a stunning lack of interest from Ministers in other Government departments. It was hard to get Ministers to engage beyond their silos.

Arts Council England Chief Executive, Darren Henley, said he was interested in seeing arts and health as more central to ACE’s new 10-year strategy but, for ACE, it has to be all about the arts: the Arts Council is about promoting excellence.

Interestingly, the APPG report says:

“On the one hand, it would be a disservice to participants to offer substandard arts activities under the banner of health and wellbeing, and the examples given in this report show high-quality work being undertaken in an avowedly inclusive way. On the other hand, in participatory arts activities with people who have not previously been encouraged to express their creativity, it is the quality of the activity, rather than the quality of output, that matters.”

Shirley Cramer, Chief Executive of the Royal Society for Public Health, said arts and health shouldn’t be a nice-to-have add-on: it should be mainstream.

You can download the APPG report from: http://www.artshealthandwellbeing.org.uk/appg-inquiry/



Visit to London by the South Korean Ministry of Culture, Sports and Tourism and the National Community Cultural Foundation by Robin Simpson
July 21, 2017, 4:19 pm
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This week Voluntary Arts hosted the first visit to the UK by representatives of the South Korean Ministry of Culture, Sports and Tourism and the National Community Cultural Foundation. In 2014 the Korean Government introduced the ‘Regional Culture Promotion Law’ which states that central and regional government should support everyday cultural activity and create community cultural space. The law makes it clear that the main unit of everyday cultural activity is voluntary ‘cultural clubs’ organised by amateur artists – ordinary citizens who love arts and culture. The Korean Ministry of Culture, Sports and Tourism established three main policies: creating space for voluntary cultural clubs and community cultural activity; promoting collaboration between voluntary cultural clubs (locally and regionally); and expanding opportunities for everyday creative activity and voluntary participation. To deliver these policies, in 2016 the Ministry created a new Community Cultural Foundation. The Foundation is a government agency (similar to our Arts Councils) but focussing specifically on everyday creativity and participation. It has created 110 Community Cultural Centres across South Korea and supports approximately 32,000 local voluntary cultural clubs. This week six representatives from the South Korean Ministry of Culture and the Community Cultural Foundation came to London to learn more about Voluntary Arts, UK Government policy and to see how UK people take part in the voluntary arts in everyday life.

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Damien and I had arranged a series of meetings and visits for our South Korean guests. Most of the meetings took place at Cecil Sharp House in Camden – the historic home of the English Folk Dance and Song Society (EFDSS). Over three days we were joined at Cecil Sharp House by Katy Spicer (Chief Executive of EFDSS and Vice Chair of Voluntary Arts) and by Barbara Eifler (Executive Director of Making Music), Jo Hunter (Chief Executive of 64 Million Artists and one of the authors of the ‘Everyday Creativity’ report), Keith Nichol and Chris Marnoch (from the Cultural Diplomacy team at the Department for Digital, Culture, Media and Sport), Phil Cave (Director, Audiences and Engagement at Arts Council England) and by Nick Wilson and Jonathan Gross from King’s College, London (two of the authors of the ‘Towards Cultural Democracy’ report).

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On Monday afternoon we visited Broadcasting House where Stephen James-Yeoman and Hannah Lambert talked to our Korean visitors about the Get Creative campaign. We also had a tour of the BBC newsroom and introduced our guests to the new BBC World Service Korean team – who were, coincidentally, at Broadcasting House for day one of their training before returning to Seoul to start this new Korean-language radio service.

On Monday evening we visited a rehearsal of an amateur choir – London City Voices in Soho – where conductor Richard Swann taught us his four-part arrangement of ‘One Day Like This’ by Elbow.

On Tuesday afternoon we visited the headquarters of the Crafts Council in Islington where Crafts Council Chief Executive, Rosy Greenlees, and Chair, Geoff Crossick, described to our Korean visitors the transition the Crafts Council has undertaken in recent years. Rosy explained that the original role of the Crafts Council had had been purely to support professional makers but that now around 40% of its work is on ‘education’ – both in schools and with amateurs and everyday creativity. Geoff Crossick also spoke about the AHRC Cultural Value Project and his resulting report ‘Understanding the Value of Arts and Culture’ which broadens the scope of the discussion on cultural value to include, alongside the subsidised cultural sectors, the commercial sector, and amateur and participatory arts and culture, which are how most people engage – emphasising the way they are part of a single ecology.

Finally, on Wednesday afternoon we visited Questors Theatre in Ealing where Maggie Turner and Andrea Bath gave our Korean guests a backstage tour of the theatre, explaining how this amateur theatre company managed to raise funds to build and manage a magnificent new theatre. It was a lovely way to finish our three days with the South Korean representatives.

It was fascinating to find out more about the new South Korean Government support for everyday creativity but it was also incredibly interesting to reflect on our progress in this area in the UK in recent years. Explaining what you do to foreign visitors – through a translator – is a remarkably good way of thinking more carefully about things you usually take for granted. Looking back at the presentation I gave to the World Culture Clubs Conference in South Korea in 2009, I was struck by how far we have come since then, particularly the explosion in UK academic research into the amateur arts and everyday creativity and the developments in media coverage of voluntary and amateur arts in this country.

Many thanks to everyone who helped to make the South Korean visit such a success. Particular thanks to Katy for hosting us at Cecil Sharp House and to Damien for managing the programme of meetings and visits which all went incredibly smoothly.



‘Towards Cultural Democracy: promoting cultural capabilities for everyone’ by Robin Simpson
June 22, 2017, 7:47 am
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At the end of 2014, at the weekly meetings I took part in to develop the Get Creative campaign with the BBC, Deborah Bull from King College, London, was adamant that we must build in a robust evaluation of the campaign from the start. Jointly funded by the BBC and the Cultural Institute at King’s College London, the Get Creative Research Project ran alongside the Get Creative campaign from its launch in February 2015. The research was led by Dr Nick Wilson from King’s College and had two overarching aims. Firstly, to provide a rigorous evaluation of the Get Creative campaign; and secondly, to investigate key questions raised by the campaign regarding the ‘landscape’ of arts practice and participation.

In May 2016 the Get Creative Research Project’s interim report, ‘Get Creative: Opening Our Eyes to Everyday Creativity’ celebrated the successes of the first year of the Get Creative campaign but also surfaced a number of underlying problems and issues and made a series of recommendations. This led directly to a clarification of the aims and objectives of Get Creative and the establishment of a Get Creative Steering Group with formal Terms of Reference.

This week the Get Creative Research Project published its final report, ‘Towards Cultural Democracy: promoting cultural capabilities for everyone’, written by Nick Wilson, Jonathan Gross and Anna Bull. ‘Towards Cultural Democracy’ uses the learning from the Get Creative campaign to call for a radical but pragmatic new approach to understanding and enabling cultural opportunity. It argues that cultural opportunities are comprised of a far broader range of freedoms than access to already existing publicly funded arts – the primary focus of current cultural policy. Everyone has cultural capability – by ensuring there are more cultural opportunities for people to realise their own creative potential it would be possible to move towards cultural democracy: “an achievable future in which the substantive freedom to co-create versions of culture is enjoyed by all”.

Towards Cultural Democracy’ makes 14 recommendations, starting with the suggestion that “Promoting cultural capabilities for everyone (cultural democracy) needs to be made an interlinked policy objective, across a range of national government departments and agencies” and including a recommendation to “Develop mutually beneficial relationships with local radio as a key channel for the promotion of everyday creativity” which specifically references Voluntary Arts’ Up for Arts projects.

On Wednesday afternoon I was at Somerset House in London for a workshop to explore the recommendations from ‘Towards cultural democracy: Promoting cultural capabilities for everyone’. Discussing the background to the research, Jonathan Gross talked about the conclusions of the Warwick Commission on the Future of Cultural Value, which recommended celebrating everyday arts, and the critiques of the traditional ‘Deficit Model’ which had emerged from the Get Creative Research Project. He spoke about the rising interest in everyday creativity in recent years, indicated by the rise of Fun Palaces, 64 Million Artists, and Get Creative itself. Jonathan also referred to the increase in academic research in this area, citing studies including the Understanding Everyday Participation Research Project being led by the University of Manchester and Helen Nicholson’s research into amateur theatre.

Nick Wilson stressed that everyday creativity is not new but suggested that the ‘Towards Cultural Democracy’ shows how we are now understanding the interconnections with the subsidised arts much better. He described the idea of thinking about cultural opportunities and cultural capabilities, rather than just mapping existing cultural assets and restricting debates to access to publicly funded arts. Nick called for reframing of decision-making across cultural policy to recognise the role played by creative citizens and pillar organisations.

Our workshop also included seven short presentations about how we enable cultural opportunities, featuring speakers including Jo Hunter from 64 Million Artists, Kunle Olulode from Voice for Change and me.

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On Wednesday evening Damien and I attended the formal launch of ‘Towards Cultural Democracy: promoting cultural capabilities for everyone’ at King’s College, London. Inspirational speeches from Deborah Bull, Nick Wilson, Stella Duffy and Lizzie Crump emphasised the importance of the report and the momentum that appears to be gathering towards a significant shift in policy to recognise the importance of everyday creativity. The evening concluded with a cultural opportunity to allow us all to demonstrate our cultural capabilities as Alex and Flo – featured in the report as one of the portraits of people co-creating their own distinctive versions of culture – taught us all some the basics of ‘breaking’ (better known to the uninitiated as break-dancing). The sight of many of the most influential cultural leaders, activists and policy-makers spinning around on the floor of King’s College will live long in my memory!

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You can download the report ‘‘Towards Cultural Democracy: promoting cultural capabilities for everyone’ from: http://www.kcl.ac.uk/Cultural/-/Projects/Towards-cultural-democracy.aspx

Robin Simpson.



Culture UK launch by Robin Simpson
April 4, 2017, 2:39 pm
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On Tuesday Damien and I were in the BBC Radio Theatre in Broadcasting House in London for the launch of Culture UK – a new partnership between the BBC, Arts Council England, the Arts Council of Northern Ireland, the Arts Council of Wales and Creative Scotland.

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BBC Director-General, Tony Hall, said the aim of Culture UK is “to excite the nation about the arts, opening up funding to a range of arts organisations to make content which can be shown on the BBC, developing UK-wide cultural festivals that can reach new audiences, creating opportunities to showcase emerging and diverse talent, and making the most of technology to inspire new experiences in the arts.”

Tony Hall said “culture makes us believe in the future”. He spoke about the importance of inspiring people about the arts, saying “there are communities we simply don’t engage with: that has to change”. Culture UK will have a development team from across the UK (modelled on that created for the London 2012 Cultural Olympiad) which will work towards three big landmark moments a year. Culture UK was launched with the announcement of 26 new commissions. See: http://www.bbc.co.uk/mediacentre/mediapacks/culture-uk?ns_mchannel=social&ns_campaign=bbc_press_office&ns_source=twitter&ns_linkname=corporate
Robin Simpson.