On Friday morning I was at Broadcasting House in London to meet Miriam O’Keefe, the Director of the BBC Performing Arts Fund. The Performing Arts Fund distributes the money raised by phone-voting on TV shows such as Strictly Come Dancing. It runs grant programmes which are open to performing arts groups across the UK. Over the past year the fund’s focus has been on dance, they are about to launch a new community music scheme and next year they will be turning their attention to theatre. Miriam told me that the trustees of the fund are looking to get more exposure in Scotland, Wales and Northern Ireland in order to encourage more applications from those places. We talked about how Voluntary Arts could help to publicise the fund’s programmes to amateur arts groups and how the BBC Performing Arts Fund could help us to promote our Running Your Group services, Epic Awards and Voluntary Arts Week.
Robin Simpson.
On Thursday I was in Newcastle to take part in an orientation day for re.volution – a new Peer Learning Network for small and medium sized arts and cultural organisations in England and Scotland, established by Mission Models Money (MMM). re.volution is designed to help the leaders of arts organisations solve the problems of trying to do too much, with too little, too often on your own. Designed to be very practical, re.volution has so far brought together around 50 Peers across England and Scotland physically and through on line space, so that we can receive and give advice, practical assistance and critical thinking on issues and challenges that we need help with or about which we have relevant expertise.?? On Thursday I met a small group of fellow Peers from organisations and networks including the visual arts, theatre and museums. The day was facilitated by Mark Robinson from Thinking Practice and was a very enjoyable opportunity for mutual support and networking.
Robin Simpson.
The Network of National Volunteer-Involving Agencies (NNVIA) is a national forum for national organisations that involve volunteers: NNVIA currently has 56 member organisations. Many NNVIA members also belong to the England Volunteering Development Council (EVDC) and this Wednesday, for the first time, EDVC and NNVIA held a joint meeting, at Birkbeck College in London. The joint meeting succeeded in attracting considerable more people than the combined total attending the last separate EVDC and NNVIA meetings. It focussed on two main topics, looking at innovation, technology and digital inclusion in relation to volunteering in the morning, followed by a discussion of employer-supported volunteering after lunch. We had three fascinating speakers – Annie Dare from Race Online 2012, Philip Colligan from the NESTA Innovation in Giving Fund and the Head of Corporate Social Responsibility at KPMG, Michael Kelly. Having a large group of people in the room made it possible to run effective open space discussions on the two topics. It was a really interesting day and I think showed the potential for similar joint meetings of the two networks. I was particularly fascinated by some of the discussion around innovation: Philip Colligan explained that the NESTA Innovation in Giving Fund is promoting reciprocity and making use of idling capacity. I loved the statistic that the average use of a drill in its lifetime is 12 minutes! “Why buy a drill when you need a hole?”
Robin Simpson.
On Tuesday I was at The Lowry in Salford for Arts Council England’s ‘State of the Arts’ Conference. I was fairly critical of last year’s ‘State of the Arts’ Conference, saying here that “the main conference sessions were disappointingly lacking in creativity in terms of their format”. So I was pleasantly surprised to see a much more creative approach this year, with the plenary sessions beautifully staged (and stage-managed) in The Lowry’s massive Lyric Theatre. I spent all day rather cheekily taking credit for this improvement which was clearly a response to my stinging criticism, only to find that when I bumped into ACE Chief Executive, Alan Davey, in the afternoon and congratulated him on the more theatrical style of the conference he said, only slightly tongue-in-cheek, “well you made such a fuss last year we had to do something!”.
One of the best things about the conference this year was that it was chaired by Kirsty Wark: she was a wonderful chair – listening carefully to the speakers, understanding the issues, keeping everyone to time and being incredibly fierce when necessary. She was part of a strong BBC presence, emphasising the developing partnership between ACE and the BBC and the proximity of Media City UK, just across the water from The Lowry. We were welcomed by Peter Salmon, Head of BBC North, and in the afternoon the BBC’s Arts Editor, Will Gompertz, interviewed the choreographer Arlene Phillips about whether TV does great art. This was a session that seemed to divide the audience – while many were impressed by Arlene Phillips’ passion and enthusiasm and welcomed this very different voice as a challenge to the usual suspects at an arts industry conference, there was also some very audible muttering about her views on the differences between the arts and entertainment and her sometimes self-contradictory statements about the need for a populist approach.
Opening the conference ACE Chair Liz Forgan suggested that this is “a golden age for the arts”, even if it is on the edge of the unknown. The Culture Minister, Ed Vaizey, said “the arts are more important than ever before” and “the arts are their own justification, in and of themselves”. He was clear that “we believe Government should provide the core funding for the arts”. He said “we support the mixed economy model for funding the arts – something that is almost unique to this country” and “we support, absolutely, the arm’s length principle”. As David Brownlee from the Theatrical Management Association (TMA) started to ask the Minister a question, Ed Vaizey interjected to ask when the TMA Awards were going to be held. He said he had tried to find this out on the TMA website but it wasn’t up to date and went on to criticise arts organisations that don’t keep their websites up to date. A little later in the session, Kirsty Wark read out a tweet that had appeared on the computer screen in front of her (from @MarcusRomer) which pointed out that Ed Vaizey’s own blog hasn’t been updated for nearly 2 years!
Away from the plenary sessions, I attended the two ‘Artists and Communities’ breakout sessions. Apart from the inevitable digression into terminological issues (what do we mean by ‘Artists’? what do we mean by ‘Communities’ why not ‘Artists in Communities’ or ‘Artists of Communities’? etc.) these were interesting discussions about participation, engagement and community arts. The four speakers, Dan Thompson, Rosie Kay, Peter Jenkinson and Ruth Little, were all entertaining and thought-provoking.
State of the Arts is a big conference, this year attracting around 500 people: the delegate list is more likely to be in the running for the Booker Prize than the BBC Short Story Award. Whatever you think of the conference sessions it’s a wonderful networking opportunity: I managed to talk to a host of old and new contacts – including Alan Davey, Jim Tough, Richard Russell and Cluny Macpherson from ACE and Nick Capaldi, Chief Executive of the Arts Council of Wales.
Robin Simpson.
Filed under: meetings | Tags: ace, England, excellence, Northern Ireland, Republic of Ireland, Scotland, UK, volarts, Wales
On Monday evening I was at the Royal Overseas League in London for the Epic Awards Winners’ Reception. Representatives of the four winners of the Epic Awards 2011 – Phizzfest from Dublin, Buddy Beat from Paisley, Third Floor Gallery from Cardiff and Peterborough Male Voice Choir plus the Ireland runners-up, Ballymena Arts Partnership – were presented with their awards by Voluntary Arts President, Lord Luce. We were joined by an audience including representatives of Arts Council England, the National Council for Voluntary Organisations, Audiences UK, the Theatrical Management Association, the Paul Hamlyn Foundation and People’s Voice Media as well as Voluntary Arts staff and Board members. It was a lovely evening: all the winning groups had compelling stories to tell and gave passionate and inspirational speeches. The aim of the Epic Awards is to showcase excellence and innovation in the amateur arts and the 2011 winners are a credit to our sector and proved to be wonderful advocates for Voluntary Arts.
Accepting the England award, Peterborough Male Voice Choir Musical Director Will Prideaux said:
“Voluntary arts organisations transform lives and build stronger communities. I love the stories of friendships created and enthusiasm rediscovered or of depression beaten, horizons broadened or prejudices cast aside; of hope, of trust, of a sense of belonging or simply giving people something to look forward to – the list is endless and endlessly amazing.”
Tina Robinson accepted the Ireland award on behalf of Phizzfest, the Phibsborough Community Arts Festival, and said:
“Our experience to date has shown us the importance of the arts as a community development tool forging links and creating channels of communication within the many diverse groups in our area. Phizzfest is run entirely by volunteers and this award is a huge validation of our efforts and has given us great encouragement to continue with this project.”
Tom Chalmers from Scottish drumming group The Buddy Beat said:
“With the film we want to inspire people to get out there and get involved and if anybody’s got a mental health condition they should never let that hold them back because there’s so much out there that they can participate in – it helps you improve your mental health and your self-worth.”
Wales winners Third Floor Gallery gave a very entertaining speech about their humble beginnings and thanked all the photographers who entrusted their images to the gallery and endorsed their unique way of presenting exhibitions.
Watch Epic Winners 2011: The Movie at http://blog.epicawards.co.uk/2012/02/epic-winners-2011-the-movie/
The Government Culture Ministers in England, Scotland, Wales, Northern Ireland and the Republic of Ireland all sent messages of congratulation to the Epic Award winners:
Jimmy Deenihan, Minister for Arts, Heritage and the Gaeltacht, Republic of Ireland Government said:
“Phizzfest is a wonderful example of local volunteers and business interests working in tandem for the benefit of the wider community. The festival was a resounding success with something for people of all ages and backgrounds to enjoy. Through art and arts related events new experiences were shared by all the participants.”
Carál Ní Chuilín, Minister of Culture, Arts and Leisure, Northern Ireland Executive:
“In many cases arts begins at grass-roots level and wouldn’t be successful without the support of the many voluntary and amateur arts organisations across the island. Many congratulations to Phizzfest from Dublin, this year’s winners of the Ireland Award, and also to Ballymena Arts Partnership who were runners up and the People’s Champion for Ireland for receiving over 3,500 votes online. These are great examples of arts in the community and are truly deserving of this recognition.”
Fiona Hyslop, Cabinet Secretary for Culture and External Affairs, Scottish Government:
“Congratulations to Buddy Beat on winning the first Epic Award for groups in Scotland. This is a truly amazing group which demonstrates the power of the arts to change people’s lives for the better. Scotland is a creative nation with a thriving cultural community and our voluntary groups play an important part in that. This project is a worthy winner of an Epic Award in the Year of Creative Scotland 2012.”
Huw Lewis, Minister for Housing, Regeneration and Heritage, Welsh Government:
“The work of Voluntary Arts and here in Wales, Voluntary Arts Wales, in supporting and encouraging the voluntary arts sector is fully acknowledged. They are to be commended in bringing forward the Epic Awards to recognise the work and commitment of this sector. Third Floor Gallery is an excellent example of the ingenuity and creativity of the amateur arts in Wales, harnessing the enthusiasm and energy of local volunteers to create excellent opportunities and facilities for the local community. Their innovative way of working in attracting exhibitions of contemporary photography by world renowned photographers, is to be applauded. Here in Wales we have a long tradition of amateur arts and are very proud of their accomplishments. I am therefore delighted to congratulate Third Floor Gallery as the winners of the first Wales Epic Award.”
Ed Vaizey, Minister for Culture, Communications and Creative Industries, UK Government:
“It was an honour to attend the first ever Epic Awards last year, and I’m delighted to see the ceremony return, and announce a new raft of winners in 2012. The story of Peterborough Male Voice Choir shows just what a group of committed and dedicated local volunteers can achieve, not only in terms of raising tremendous amounts of money for good causes but also – from what I’ve heard – putting on excellent concerts in the process. I’d like to wish them hearty congratulations on receiving their award. They are another excellent example of the wonderful amateur arts activity that goes on in communities across England all year round, and forms the bedrock of the arts in this country.”
Robin Simpson.